
Radio Silence Talib Download This Album
Kweli earned recognition early on through his collaboration with fellow Brooklyn rapper Mos Def, when they formed the group Black Star. Kwelis musical career continued with solo success including collaborations with producers Kanye West, Just Blaze, and Pharrell Williams.Tracks:1.1 The. Two years removed from his Fuck the Money LP, Talib Kweli has returned with a new solo album titled Radio Silence, and you can hear the entire thing right now. Arriving today (November 17) through. Purchase and download this album in a wide variety of formats depending on your needs.

Kweli persists as one of the most inspired storytellers, wasting no syllables as he condenses and elucidates complex non-fiction. "She's My Hero," told over sorrowful soul-jazz from Oh No, regards the 14-year-old who shot and killed her abusive, life-threatening father after "They told the cops, but all that did was make him treat them rougher." A career highlight, it's also only one of many tracks on which Kweli asserts his stance against the school-to-prison pipeline and other forms of systemic oppression, as well as the mentality they sustain. "They screamin' 'black-on-black' as an excuse for you to not care 'til the cops roll up in their SWAT gear," amid dozens of other lines, are delivered with that laser focus only Kweli possesses.
The title of this record, Radio Silence, is a call to action. Hearing the instrumentation on this record will warm your heart and polish your soul. Clocking in at 11-tracks, Radio Silence begins loud and clear with “The Magic Hour,” which ushers in a nearly 45-minute, jazz-infused journey through the mind of an educated and seasoned MC. More than a return to form for Kweli, this album could not have come at a better time.
The two seamlessly ping-pong off each other as they make a plea for unity. We have nothing to lose but our chains.” Kweli takes the reigns first but allows enough room for Electronica to explore the topic of systemic oppression as if they’re a united force. We must love and support each other. “All of Us,” featuring Jay Electronica and singer Yummy Bingham, starts with audio of a political rally in Ferguson, Missouri that repeats Assata Shakur’s words, “It is our duty to fight for our Freedom. The opening protest sample on “All of Us” proves that Talib Kweli can strike a balance between the lecture and the art.
He recognizes that “hip-hop will flourish with nourishment and the proper care,” and still actively plays his part. While the socio-political commentary may be typical of Kweli’s catalog, with this album, it seems more urgent considering the current political climate of America.
